I keep waiting until I'm awake enough to reply properly, and that never happens, so I'm going to start replying while half-asleep. Sorry in advance for nonsense.
Anyway, I think things are always changing. I think the company goes with 1) who they want and 2) who will agree to their offers. Like, I think if they want to shift people, and people don't want to shift, people choose to leave instead, etc, etc. Still, I love trying to guess what'll happen. Hard to tell right now, though. I think part of the reason they're releasing the schedules piece-meal is because all the playwrights are behind with the current schedule and that they don't want to give too much away. ;)
(And for the record, I'm not against a Kiriyan/Masaki combi should that be the case)
Well, I'm withholding judgment until I've seen Last Play, but I kind of am against it. The year difference is too great, and I feel like Masaki will never look anything but the eager young boy next to Kiriyan. :/
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timeasmymeasure
no subject
Date: 2009-10-23 10:02 am (UTC)Anyway, I think things are always changing. I think the company goes with 1) who they want and 2) who will agree to their offers. Like, I think if they want to shift people, and people don't want to shift, people choose to leave instead, etc, etc. Still, I love trying to guess what'll happen. Hard to tell right now, though. I think part of the reason they're releasing the schedules piece-meal is because all the playwrights are behind with the current schedule and that they don't want to give too much away. ;)
(And for the record, I'm not against a Kiriyan/Masaki combi should that be the case)
Well, I'm withholding judgment until I've seen Last Play, but I kind of am against it. The year difference is too great, and I feel like Masaki will never look anything but the eager young boy next to Kiriyan. :/