Cleverly Disguised as a Responsible Adult

Do you think Grand Theater ohirome kouen as a rule tend to particularly good or bad?

I'm thinking about the ohirome kouen for the current crop of top stars.  Any thoughts on top stars going back further than that would be appreciated.

Sakura/Secret Hunter: The latter was pretty silly, but I still really enjoyed both halves.

Jazzy Fairies/Revue of Dreams: Wasn't wild about either one.

Elisabeth (yukigumi 2007): Was awesome.

Valencia/Sora Fantasista: Sora Fantasisa was wonderful, but Valencia wore on me quickly.

Ai to Shi no Arabia/Red Hot Sea: I thought Arabia was pretty mediocre, and I think I would have liked it even less if I saw it more than once.  Red Hot Sea was a lot of fun.

So...things aren't looking too good for the non-revue parts.  Or did a few of this particular generation just have bad luck when it came to ohirome kouen?  For most of the ones I don't like, I would blame their quality on bad writing rather than the new tops themselves...

I am the world's most paranoid person when it comes to these sorts of things.  What if I gave Miho the wrong address?  (*looks at sent e-mail* Nope, it's in romaji and it's correct)  What if she accidentally wrote it down wrong?  What if there's something special I need to do other than be in my apartment tomorrow morning?

*bites metaphorical fingers nervously* I am unworthy to go to this performance...and if I'm having good luck now, I'm terrified that I'll be hit with bad luck later.  Or is that what already happened when over the course of several days one of the latches on my laptop broke, I nearly overslept for work, and my gas got turned off for about 12 hours?  *bites metaphorical fingers more*